t59
12-29-2006, 10:11 AM
Hi everyone.
I am new here, so Id just like to say hi, and introduce myself to other fans of Janis Ian.
It was not at 17 when I first heard a Janis Ian tune, but at 16. In the summer of 1975, At 17 was a fresh new chart-topper played on every pop-rock radio station in Toronto, Canada. I remember how the bluesy-jazzy strains, and the kind of bitter lyrics caught my ears. It really stood out among the other songs that were popular that summer. Funk was king, disco on the rise, and the Eagles string of hits dominated the charts. Janis Ians At 17 truly stood out as daringly original and fresh.
I heard a couple more tunes: In the Winter, When the Partys over, and new I just had to hear more. I purchased the album Between the Lines, and it is one i never tire of hearing, even after 32 years. The frenzied coda of Between the lines, the subtle nuances of the string octet in tea and Sympathy, the wry lyrics and stylistic variations among the songs have given me many years of pleasure, and many more to come.
I think University music programs should offer course in the analysis of her music.
Thank you Janis for your artistry, and best wishes for 2007 to everyone.
Bye!
I am new here, so Id just like to say hi, and introduce myself to other fans of Janis Ian.
It was not at 17 when I first heard a Janis Ian tune, but at 16. In the summer of 1975, At 17 was a fresh new chart-topper played on every pop-rock radio station in Toronto, Canada. I remember how the bluesy-jazzy strains, and the kind of bitter lyrics caught my ears. It really stood out among the other songs that were popular that summer. Funk was king, disco on the rise, and the Eagles string of hits dominated the charts. Janis Ians At 17 truly stood out as daringly original and fresh.
I heard a couple more tunes: In the Winter, When the Partys over, and new I just had to hear more. I purchased the album Between the Lines, and it is one i never tire of hearing, even after 32 years. The frenzied coda of Between the lines, the subtle nuances of the string octet in tea and Sympathy, the wry lyrics and stylistic variations among the songs have given me many years of pleasure, and many more to come.
I think University music programs should offer course in the analysis of her music.
Thank you Janis for your artistry, and best wishes for 2007 to everyone.
Bye!